http://www.behindballet.com/when-stanton-welch-diverged/?utm_source=rss&utm_medium=rss&utm_campaign=when-stanton-welch-diverged The blog of The Australian Ballet Thu, 09 Feb 2012 00:37:05 +0000 hourly 1 http://www.behindballet.com/when-stanton-welch-diverged/comment-page-1/#comment-4666 Barriers to a LC environment – 603.8 « Bluesky Fri, 07 May 2010 03:48:18 +0000 http://www.behindballet.com/?p=1268#comment-4666 [...] Summers in the 1994 photo shoot for Stanton Welch’s Divergence. [...] [...] Summers in the 1994 photo shoot for Stanton Welch’s Divergence. [...]

]]> http://www.behindballet.com/when-stanton-welch-diverged/comment-page-1/#comment-1791 Damien's swan song | Behind Ballet Fri, 27 Nov 2009 06:13:29 +0000 http://www.behindballet.com/?p=1268#comment-1791 [...] of Australian dance legends Marilyn Jones and Garth Welch, and the younger brother of choreographer Stanton Welch, Damien started ballet classes at the relatively late age of 15. He quickly made up for lost time, [...] [...] of Australian dance legends Marilyn Jones and Garth Welch, and the younger brother of choreographer Stanton Welch, Damien started ballet classes at the relatively late age of 15. He quickly made up for lost time, [...]

]]> http://www.behindballet.com/when-stanton-welch-diverged/comment-page-1/#comment-156 Paris when it sizzles | Behind Ballet Fri, 26 Jun 2009 08:58:33 +0000 http://www.behindballet.com/?p=1268#comment-156 [...] Stanton Welch’s Divergence, you’ve got to be very precise and in sync, so everybody – well, I speak for myself – was [...] [...] Stanton Welch’s Divergence, you’ve got to be very precise and in sync, so everybody – well, I speak for myself – was [...]

]]> http://www.behindballet.com/when-stanton-welch-diverged/comment-page-1/#comment-126 Industrial strength | Behind Ballet Tue, 16 Jun 2009 00:34:31 +0000 http://www.behindballet.com/?p=1268#comment-126 [...] Stanton Welch said he wanted the dancers to look “like Vogue models”. What kind of brief did he give you for the costumes? His brief was that they should be very high fashion. I took that away and thought, “How can I make this fashionable today, and fashionable forever?” [...] [...] Stanton Welch said he wanted the dancers to look “like Vogue models”. What kind of brief did he give you for the costumes? His brief was that they should be very high fashion. I took that away and thought, “How can I make this fashionable today, and fashionable forever?” [...]

]]> http://www.behindballet.com/when-stanton-welch-diverged/comment-page-1/#comment-114 Flashback - Divergence | Behind Ballet Fri, 12 Jun 2009 00:32:18 +0000 http://www.behindballet.com/?p=1268#comment-114 [...] Summers in the 1994 photo shoot for Stanton Welch’s [...] [...] Summers in the 1994 photo shoot for Stanton Welch’s [...]

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