Posts filed under: Infinity

  • The Narrative of Nothing – in costume
    Jessica Fyfe and Jarryd Madden
  • The Narrative of Nothing – in costume
    Lana Jones and Amy Harris
  • The Narrative of Nothing – in costume
    Brooke Lockett
  • The Narrative of Nothing – in costume
    Adam Bull, Amy Harris, Andrew Kyllian and Lana Jones

The Narrative of Nothing – in costume

 

The opening night of Infinity is only days away, and excitement builds as we see the three new ballets in costume for the first time. For Graeme Murphy’s athletic The Narrative of Nothing, renowned theatre designer Jennifer Irwin has printed the fabrics for each individual costume, so every one is unique. Tiny mirrors sewn into the fabrics will work with Damien Cooper’s lightscape. We can’t wait to see this one in the theatre – with the full surround of Brett Dean’s music!

All photographs by Lynette Wills

Read more about Infinity and buy tickets

21 February 2012

  • Designing Infinity: Jennifer Irwin
    Design sketches for Warumuk - in the dark night
  • Designing Infinity: Jennifer Irwin
    Costume for the Milky Way vignette of Warumuk - in the dark night
  • Designing Infinity: Jennifer Irwin
    Jennifer Irwin

Designing Infinity: Jennifer Irwin

 

With the world premiere of Infinity taking place in Melbourne in only a couple of weeks, Anna Sutton spoke to costume designer Jennifer Irwin about her collaborations with Graeme Murphy and Stephen Page for The Narrative of Nothing and Warumuk: in the dark night.

“I love working with both of them and they’re both very different,” Jennifer says of the two choreographic veterans as she shows me the “forbidden fish” costume for Warumuk – an iridescent dress that twinkles in a wave of oxidised metallic sequins.

“The costumes I’ve done for Graeme have always been more abstract and contemporary, and more fashion, stripped back, whereas Stephen’s are always Aboriginal-based – still abstract – but with a story behind it.” (more…)

8 February 2012

  • Inside Infinity rehearsals: There’s Definitely a Prince Involved
    Gideon Obarzanek with Christopher Rodgers-Wilson
  • Inside Infinity rehearsals: There’s Definitely a Prince Involved
    Alice Topp
  • Inside Infinity rehearsals: There’s Definitely a Prince Involved
    Gideon Obarzanek

Inside Infinity rehearsals: There’s Definitely a Prince Involved

 

What’s involved in Gideon Obarzanek’s brand-new work for the Infinity program? There’s definitely spoken word. There’s definitely deconstructed Swan Lake choreography. There will definitely be a mix of the contemporary and the classical. And there will be guests from the contemporary dance scene joining our dancers. It’s an intriguing mash-up of styles!

We can’t wait to see the full work unveiled later this month.

You can see There’s Definitely a Prince Involved as part of the Infinity program, which opens in Melbourne on 24 February and in Sydney on 5 April. Tickets on sale now.

Read more about Infinity

All photography in this post by Lynette Wills

7 February 2012

  • Designing Infinity: Alexi Freeman
    Alexi Freeman works TAB's Ladies' Cutter Musette Molyneaux.
  • Designing Infinity: Alexi Freeman
    Designs for There's Definitely a Prince Involved.
  • Designing Infinity: Alexi Freeman
    Alexi Freeman mid-creation.
  • Designing Infinity: Alexi Freeman
    Designs for There's Definitely a Prince Involved.

Designing Infinity: Alexi Freeman

Alexi Freeman is a star on the rise in the Australian fashion industry and his costume designs for Gideon Obarzanek’s There’s Definitely a Prince Involved mark an exciting debut collaboration with The Australian Ballet. Anna Sutton caught up with him to talk Infinity.

As Alexi shows me his rhythm-laden illustrations for There’s Definitely A Prince Involved, he explains that he set out to create an evocative aesthetic. “In terms of Gideon’s take on producing a ballet work, it never seemed to me like he wanted to do something direct, it was more about an exploration of ballet and Swan Lake in particular. I looked for a motif that suggested birds and flight without being too literal.”

The result is a palm tree-inspired motif which is bold and rich in nuance, while not being so overt as to plunge the audience into a specific setting. These prints, in flesh and black-and-white with bone-like patterns, also reference the human form. Laser-cut, felt headpieces featuring an intricate pattern echo the motif to toweringly dramatic effect. (more…)


  • Inside Infinity rehearsals: The Narrative of Nothing
    Karen Nanasca
  • Inside Infinity rehearsals: The Narrative of Nothing
    Karen Nanasca and Graeme Murphy
  • Inside Infinity rehearsals: The Narrative of Nothing
    Charles Thompson, Calvin Hannaford and Karen Nanasca
  • Inside Infinity rehearsals: The Narrative of Nothing
    Calvin Hannaford, Charles Thompson and Karen Nanasca

Inside Infinity rehearsals: The Narrative of Nothing

 

After making the spectacular story ballet Romeo & Juliet for The Australian Ballet in 2011, Graeme Murphy has returned to the basics for his new abstract one-act work The Narrative of Nothing. His inspirations are the dancers and Brett Dean’s Fire Music. Photographer Lynette Wills captured Graeme at work on an intriguing passage of the ballet, which shows his trademark intricate yet flowing movement.

You can see The Narrative of Nothing as part of the Infinity program, which opens in Melbourne on 24 February and in Sydney on 5 April. Tickets on sale now.

Read more about Infinity

All photography in this post by Lynette Wills

6 February 2012

  • Inside Infinity rehearsals: Warumuk – in the dark night
    Dimity Azoury
  • Inside Infinity rehearsals: Warumuk – in the dark night
    Stephen Page
  • Inside Infinity rehearsals: Warumuk – in the dark night
    Jasmin Sheppard
  • Inside Infinity rehearsals: Warumuk – in the dark night
    Tara Gower

Inside Infinity rehearsals: Warumuk – in the dark night

It’s been a great joy to have Stephen Page and the dancers of Bangarra Dance Theatre back in the studios with us making Stephen’s new work Warumuk – in the dark night for the Infinity program. The blend of classical and Indigenous movement is unique in the world and it’s immensely exciting to see this work take shape. We’ll be taking this piece on our New York tour in June.

You can see Warumuk – in the dark night as part of the Infinity program, which opens in Melbourne on 24 February and in Sydney on 5 April. Tickets on sale now.

Read more about Infinity

All photography in this post by Lynette Wills

3 February 2012