Posts filed under: Ballet V Fashion

  • Styling ballet films: Summer Interlude
    Summer Interlude
  • Styling ballet films: Summer Interlude
  • Styling ballet films: Summer Interlude
  • Styling ballet films: Summer Interlude

Styling ballet films: Summer Interlude

Hila Shachar styles her favourite dance films. Scroll down to see the look she’s put together for Summer Interlude.

Jean-Luc Godard once called Ingmar Bergman’s Summer Interlude (1951), “the most beautiful of films”. Bergman himself said that “Summer Interlude is one of my most important films. Even though to an outsider it may seem terribly passé”. This classic film is anything but “passé”. It’s based on a tragic love story that mirrors a well-known ballet: Swan Lake. It tells the story of a Swedish prima ballerina, Marie, who recalls a youthful affair she had with a young man, Henrik, during rehearsals for Swan Lake. (more…)

11 January 2012

  • Elegance in exile
  • Elegance in exile
  • Elegance in exile

Elegance in exile

 

Anna Sutton slips amongst the glamorous shadows of the past. All photography by Joshua Burns.

On a recent trip to Venice I saw a sublime exhibition that explores the contributions of Russian émigrés to fashion and costume design.

Elegance in Exile: Between fashion and costume, Diaghilev’s time is housed in The Museum and Study Centre of the History of Fabrics and Costume at Palazzo Mocenigo, a 17th-century Gothic building that formerly belonged to one of Venice’s most noble families. It’s a fittingly grand choice of venue for this event.

The exhibition, curated by Francesca Dalla Bernardina, features costumes of the Ballets Russes designed by artists such as Leon Bakst, Andre Derrain and Natalia Goncharova, whose take on colour was as stunningly original as anything achieved by the Fauvist painters, as well as fashion created and informed by the Russian émigrés who scattered all over Europe following the October Revolution.

At the heart of this show is the lasting contribution Sergei Diaghilev made to culture. (more…)

9 January 2012

  • The allure of the bun
    Amber Scott, a principal artist of The Australian Ballet, shows off the classic ballet bun
  • The allure of the bun
    The Apollo's Knot
  • The allure of the bun
    Gibson Girl buns

The allure of the bun

Although the bun hairstyle is synonymous with ballet, it owes its origins to the women of Ancient Greece, who created a hairstyle now known as the Greek knot. A simple, low-lying bun knotted at the back of the neck, it was typically adorned with jewellery as a status symbol for wealthy Greek women.

The bun would re-emerge into fashionable society during the Regency period of the 1800s. Anyone familiar with film adaptations of Jane Austen books will recognise the elegant bun hairstyles that were popular amongst middle- and upper-class women. Regency England was crazy for the Classical aesthetic, and imitated the fashion and hairstyles of ancient Greek and Rome. Women began wearing their long hair up in a bun, but lifting it higher than the Greek knot, positioning it at the back of the head.

The bun’s crowning moment came in the Victorian period. The 19th century saw many variations of the bun. “Apollo’s knot” was popular during the 1820s and 1830s, and consisted of a middle-parted, high-sitting bun, complimented with corkscrew curls around the face and ears. Another popular variation of the bun called “La Chinoise” resembled Princess Leia’s famous hairstyle in Star Wars. (more…)

3 January 2012

  • Styling Dance Films: Fame
  • Styling Dance Films: Fame
  • Styling Dance Films: Fame

Styling Dance Films: Fame

Hila Shachar styles her favourite dance films. Scroll down to see the look she’s put together for Fame.

There are very few dance films that have the cult status of Alan Parker’s Fame (1980), a musical drama based on eight characters who enrol at the New York City High School for the Performing Arts. While the film was remade in 2009, those of us who grew up with the original version know the appeal of Fame lies in its 1980s aesthetics. For all its fluff and cheese, however, Fame is rooted in the gritty realism of inner-city life. (more…)

7 November 2011

  • Why so fascinating, red shoes?
  • Why so fascinating, red shoes?
  • Why so fascinating, red shoes?

Why so fascinating, red shoes?

In palaces and ballets, on celluloid and runways, red shoes have been turning heads for centuries. Anna Sutton explores their secrets behind their hypnotic allure.

The red shoe: a source of fascination, power and mystery to both its wearer and beholder.

The use of red shoes as a mark of distinction can be seen throughout history across different cultures, but it was particularly pronounced in the French courts. During Louis XIV’s reign, the court was the arbiter of both style and etiquette. Shoes with red ‘Louis-style’ heels were worn by courtiers to distinguish them from other aristocrats. The luxuriously sanguine hue was sourced from the red pigment of the Mexican cochineal beetle. Ironically (and inevitably), aristocrats emulated the look, making it fashionable outside the courts. The style endured until it was scorned by French Revolutionaries in the late 1700s. (more…)

28 September 2011

  • Richard Nylon enters the Aviary
    Aviary - image 3 Deep Design and Jeff Busby
  • Richard Nylon enters the Aviary
    Richard Nylon - Photography Jeff Busby
  • Richard Nylon enters the Aviary
    BalletLab dancers - Photography Jeff Busby
  • Richard Nylon enters the Aviary
    BalletLab dancers - Photography Jeff Busby

Richard Nylon enters the Aviary

Ballet-goers have long been enchanted by the classical combination of birds and dance: think Swan Lake or The Firebird. But in Aviary, the latest production from Phillip Adams’ Balletlab, the feathered creatures on stage are a very different flock to the traditional ballet birds.

“These are sort of crazy, possessed birds,” milliner Richard Nylon explains as he finishes work on his elaborate headpieces for the production. “They don’t cruise around on a mystic lake waiting for their prince to come along. They’re more fierce than that.” (more…)

27 September 2011